Forbidden Art. The Postwar Russian Avant-Garde. Selected Bibliography


Afrika
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Anatoli Belkin. New York: Eduard Nakhamkin Fine Arts. 1989.

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Andrej Monastyrskij. Berlin: Kunat-Werke, 1994.

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Baigell, Renee. and Matthew Baigell. Soviet Dissident Artists: Interviews after Perestroika. New Brunswick. NJ: Rutgers University Press, 1995.

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–. Il nostro paradiso. Milan: Spirali. 1992.

Beliutin, Eli, and N. Moleva, eda. Novaia Realnost'. Ot Manezha do Manezha. Khodozhniki Studyi E. Belutina. Moscow: Sovetskii khudozhnik, 1990.

Berger, John. Art and Revolution. Ernst Neisvestny and the Role of the Artist in the USSR. Harmondsworth. England: Penguin. 1969.

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Bojko, Szymon, et al. Russian Samisdat Art. New York: Willis Locker and Owens, 1986.

Boris Zaborov. Un certain usage de la photographie. Paris: Centre National de la Photographie, 1989.

Bowlt, John E., ed. Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934, New York: Thames and Hudson, reprint 1988.

– . Russian Art. 1875-1975: A Collection of Essays.

New York: MSS Information Corporation, 1976.

Bown, Matthew Cnllerne. Art under Stalin. Oxford: Phaidon. 1991.

–. Contemporary Russian Art. London: Phaidon. Press. 1989.

Brumfield, William C, and Milos M. Vclimirovic, eds. Christianity and the Arts in Russia. Cambridge. England: Cambridge University Press. 1991.

Burris, Jon, ed. New Russian Art: Paintings from the Christian Keesee Collection. Pasadena: Curatorial Assistance, Inc.. 1994.

Calneck, Anthony, ed. The Great Utopia. New York: Solomon R. Guggenheim Museum, 1992.

Chemiakin. Volumes, 1 & 2. New York: Mosaic Press. 1986.

Condee, Nancy, ed. Soviet Hieroglyphics: Visual Culture in Late Twentieth-Century Russia. Bloomington: Indiana University Press, 1995.

Cushman, Thomas. Notes from Underground: Rock Music Counterculture in Russia. Albany: State University of New York Press. 1995.

Dekhtiar, Anna. Molodye zhivopistsy 70-kh godov. Moscow: Sovetskii Khudozhnik, 1979.

Dodge, Norton T., ed. New Art from the Soviet Union: Selected Works on Paper. Mechanicsville. MD: Cremona Foundation, 1976.

–, ed. New Art from the Soviet Union: An Exhibition of Soviet Non-Conformist Art from the 1960’s and the 1970’s. Mechanicsville, MD: Cremona Foundation, 1979.

–, ed. Vagrich Bakhchanyan: Top Secret—Art Catalogue #25 Tank. New York: Contemporary Russian Art Center of America. 1981.

–. ed. Vagrich Bakhchanyan: Mr. Mental. Mechanicsville, MD: Cremona Foundation, 1981.

–. ed. Vagrich Bakhchanyan: Diary 1/1/80-12/31/80. Mechanicsville. MD: Cremona Foundation, 1981.

–, ed. Apt Art: Moscow Vanguard in the 80s. Intro by Victor and Margarita Tupitsyn. Mechanicsville. MD: Cremona Foundation, 1985.

–, ed. Leonid Lamm: Recollections from the Twilight Zone. 1973-1985. Mechanicsville, MD: Cremona Foundation, 1985.

–. ed. Eduard Gorokhovsky. Jersey City, NJ: C.A.S.E. Museum of Contemporary Russian Art. 1989.

–. ed. Dmitri Krasnopevtsev: A Retrospective Exhibition. Jersey City, NJ: C.A.S.E. Museum of Contemporary Russian Art, 1990.

–, ed. Boris Sveshnikov: A Retrospective Exhibition. Jersey City, NJ: C.A.S.E. Museum of Contemporary Russian Art, 1991.

–, ed. Alexander Kharitonov. Jersey City. NJ: C.A.S.E. Museum of Contemporary Russian Art. 1991.

– , ed. and introduction. Leningrad — St. Petersburg Non-Conformist Art. Mechanicsville. MD: Cremona Foundation. 1992.

Dodge, Norton T., and Alison Hilton. New Art from the Soviet Union: The Known and the Unknown. Washington, DC: Acropolis Books. 1977.

Douglas, Charlotte and Margarita Tupitsyn.

Gennady Zubkcov and Leningrad “Sterligov” Group: Evidence of Things Not Seen. New York: Contemporary Russian Art Center of America. 1983.

Dyogot, Ekaterina. Contemporary Painting in Russia. Australia: Craftsman House, 1995.

Eduard Shteinberg. Opyt monografii. Moscow: Art MIF Publishers and Editions d’en Haut la Chaux-de-fonds/Suisse, 1992.

Egeland, Erik. Ernst Neizvestny: Life and Work. Oakville, Ontario: Mosaic Press, 1984.

Eli Beliutin. Moscow: Assotsiatsiia «Mir kultury,» 1990.

Eric Bulalov. Paris: Centre Georges Pompidou. 1988.

Eric Bulatov Moscow. London: Parkett Publishers, 1989.

Erofeev, Andrei. Non-Official Art: Soviet Artists of the 1960s. Roseville East: Craftsman House, 1995.

Erofeev, Andrei, and Jean-Hubert Martin, eds. Kunst im Verborgenen: Nonkonformisten Russland 1957-1995. Munich: Prestel. 1995.

Eugene Rukhin: A Contemporary Russian Artist. Raleigh: North Carolina Museum of Art, 1975.

Evgenii Rukhin. Los Angeles: Gallery 1912. 1989.

German, Mikhail. Oskar Rabin. Biblioteka novogo russkogo iskusstva. Moscow: Tret’ia volna. 1992.

Glezer, Alexander. Kunst gegen Bulldozer: Memoiren einet russischen Sammlers. Frankfurt/M: Ullstein Kontinent. 1982.

–. Russkie khudozhinki na zapade. Paris: Tretiia Volna, 1986.

–. Sovremennoe Russkoe iskusstvo / L'art russe contemporain / Contemporary Russian Art. Paris. New York, and Moscow: Third Wave Publishers. 1993.

Golomshtok, Igor. Totalitarian Art. New York; Icon Editions. 1990.

Golomshtok, Igor, and Alexander Glezer. Unofficial Art from the Soviet Union. London: Martin. Secker and Warburg. 1977.

Grabar’, I. E., ed lnoriia russkogo iskusstva. Moskva: Izad. «Nauka,» 1968.

Gray, Camilla. The Russian Experiment in Art: 1863-1922. Revised by Marian Burleigh-Motley. London: Thames and Hudson. 1986.

Grishin, S. Vadim Sidur: A Study in Modern Soviet Sculpture. Adelaide, 1972.

Groys, Boris, ed. Fluchtpunkt Moskau. Werke der Sammlung Ludwig und Arbeiten für Aachen. Ostfildern: Cantz Verlag. 1994.

–. The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond. Trans. Charles Rougle. Princeton, NJ: Princeton University Press. 1992.

–. Zeitgenössische Kunst aus Moskau: von der Neo-Avantgarde zum Post-Stalinismus. Munich: Klinkhardt & Biermann, 1991.

Hamilton, George Heard. The Art and Architecture of Russia. New Haven, CT: Yale University Press, 1975.

Harten, J. Sowjetische Kunst um 1990. Cologne: DuMont. 1991.

Henry Art Gallery, University of Washington. Art into Life: Russian Constructivism, 1914-1932. New York: Rizzoli, 1990.

Holo, Selma, ed. Keepers of the Flame: Unofficial Artists in Leningrad. Lot Angeles: University of Southern California. Fisher Gallery. 1990.

Ielshevskaia, G.V. Novyi al’bom grafiki. Moscow: Sovetskii khudozhnik, 1991.

Igor and Svetlana Kopystiansky. Berlin: Berliner Kunstlerprogramm des DAAD, 1991.

Ilya Kabakov. Bern: Kunsthalle. 1985.

Kabakov, Ilya. Dos Leben der Fliegen/Ltfe of Flies/Zhizn’ mukh. Ostfildern: Canz, 1992.

–, Limited Edition Installation Catalogues. The Fly with the Wings, Mental Institution, or Institute of Creative Research, The Red Wagon, We Are Leaving Here Forever. New York: Abrams, 1991.

–. Noma ili Moskovskii kontseptual’nyi krug. Inslalliatsiia/Noma oder Der Kreis der Moskauer Konzeptualisten. Installation. Ostfildern: Cants Verlag, 1993.

–. Okno/ Das Fenster / The Window. Bern: Benteli Verlag, 1985.

–. Ten Characters. London: ICA, 1989.

–. Viisi Albumia / Fern Albumer / Five Albums /Piat’ Al’bomov. Helsinki: Artprint. 1994.

Kabakov, Ilya, and Yuri Kuper. 52 dialoga na kommunal’noi kukhne / 52 entretiens dans la cuisine communautaire. Marseille: Art Transit, Ateliers Municipaux d’Artistes, 1992.

Kabakov, Ilya, and Boris Groys. Die Kunst des Fliehens. Vienna: Carl Hanser Verlag, 1991.

Kamensky, A. Romanticheskii montazh. Moscow: Sovetakii khudozhnik. 1989.

King, David. The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia. New York: Metropolitan Books. Henry Holt and Company. 1997.

Kölle, Brigitte. Boris Michajlov / Boris Mikhaylov. Stuttgart: Oktagon, 1995.

Komar, Vitaly, and Alexander Melamid. Gedichte uber den Tod: Das Gespenst des Eklektizismus. Stikhi o Smeri: Prizrak eklektitsizma Berlin: NGBK Nishen, 1988.

Koptystianskaia Svetlana. The library Kunsthalle Dusseldorf, 1994.

Kopystiansky, Igor. The Museum. Kunsthalle Dusseldorf, 1994.

Kornetchuk Elena. Alexander Sitnikov: A Contemporary Moscow Artist. Pittsburgh: International Images, Ltd.,

Kornetchuk, Elena, et al. Francisco Infante: A Contemporary Moscow Artist. Sewickly, PA: International Images, Ltd.. 1989.

Kovalev, Andre. Between the Utopias: New Russian Art during and after Perestroika (1985-1993). Roseville East: Craftsman House. 1995.

Kunz, M., ed. Von der Revolution zur Perestroika. Sowjetische Kunst aus der Sammlung Ludwig. Kunstmuseum Luzern. 1989. Stuttgart: Verlag; Hatje. 1989.

Lahusen, Thomas, and Gene Kuperman, eds. Late Soviet Culture: From Perestroika to Novostroika. Durham and London: Duke University Press, 1993.

Lamm, Leonid. Saots-Geo Manifesto-Manifestation of the Procrustean Bed. New York: Eduard Nakhamkin Fine Arts. 1990.

The Leningrad Show: The Fellowship for Experimental Art. Point Reyes Station, CA: Gallery Route One, 1988.

Leonid Tishkov. Creatures. Durham, NC: Duke University Museum of Art, 1993.

Lew Nussberg und die Gruppe Bewegung Moskau. 1962-1977. Bochum: Museum Bochum. 1978.

Lodder, Christina. Russian Constructivism. New Haven: Yale University Press. 1983.

Lydia Masterkova: Adieu a la Russie. Paris: Galerie Dina Vierny, 1977.

McPhee, John. The Ransom of Russian Art. New York: Farrar Straus Giroux, 1994.

Mikhail Chemiakin. New York-Moscow. Retrospective Exhibition, 1972-1989. Torino: Stamperia Artistica Nazionale. 1989.

Mikhail Chemiakin. Works. 1965/80. San Jose. CA: Museum of Art, 1980.

Mikhail Chernyshov, Moskva 1961-1967. New York: Bella Volfman, 1988.

Modern Art Museum of Fort Worth. USSR Ministry of Culture, and Inter Cultura. 10 + 10: Contemporary Soviet and American Painters. New York: Harry N, Abrams. 1989-1990.

Moleva, N. Manezh god 1962. Moscow: Sovetskii pisatel', 1989.

Morozov, A. I. Pokoleniia molodykh: Zhivopis' sovetskikh Khudozhnikov 1960-kh-1980-kh godov. Moscow: Sovetskii khudozhnik. 1989.

Murina, Y. B. Dmitri Krasnopevtsev. Moscow: Sovetskii khudozhnik. 1992.

Neizvestny, Ernst. Govorit neizvestnyi. Frankfurt/M: Possev-Verlag. 1984.

–. Kentavr: ob iskusstve, literature i filosofii. Moscow:

Progress-Litera. 1992.

–. Space, Time, and Synthesis in Art. Essays on Art. Literature and Philosophy. Ed. Albert Leong. Oakville: Mosaic Press. 1990.

–. Sud’ba/Un destin d'artiste/Artist’s Fate. Moscow: Tret’ia volna. 1992.

Nussberg. 1961-1979. Wiesbaden: Galerie Karin Fesel, 1979.

Oleg Tselkov. Milano: Fabbri Editori, 1988.

Oleg Vassilyev and Eric Bulatov. New York: Phyllis Kind Gallery, 1991.

Peschler, Eric A. Ateliers de Moscow: Dessins contemporains. Paris: Navarra-Galerie de France, 1989.

–. Kunstler in Moskau: Die Neue Avantgarde.

Schaffhausen: Edition Slemmle Verlag Photographic AG, 1988.

Photoglyphs. Rimma Gerlovina. Valeriy Gerlovin. New Orleans: New Orleans Museum of Art, 1995.

Pohribny, Arsen, Peter Spielman, and Helmut Lumbro, eds., Progressive Stromungen in Moskow, 1957-1976. Bochum: Heinrich-Druckerei GmbH, 1974.

Popov, Valentin. Romantic Cynicism. Kiev, Ukraine: ARC-Ukraine, 1996.

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