Forbidden Art. The Postwar Russian Avant-Garde. Selected Bibliography
Afrika. Los Angeles University of Southern California. Fisher Gallery, 1991.
Anatoli Belkin. New York: Eduard Nakhamkin Fine Arts. 1989.
Andeeva, Ekaterina. Sots Art: Soviet Artists of the 1970s and 1980s. Roseville East: Craftsman House, 1995.
Andrej Monastyrskij. Berlin: Kunat-Werke, 1994.
Artaud, Evelyne and M Chassat. Perestroik'Art. Les couleurs de la transparence. Paris: Editions Cercle d’Art. 1990.
Baigell, Renee. and Matthew Baigell. Soviet Dissident Artists: Interviews after Perestroika. New Brunswick. NJ: Rutgers University Press, 1995.
Bar-Gera, K. and I. Bar-Gera. eds. Wladimir Nemuchin. Cologne: Galerie Bargera. 1990.
Barzel, A., and C. Jolles, eda. Contemporary Russian Artists — Artisti Russi Contemporanei. Prato: Museo d’Arte Contemporanea Luigi Pecci. 1990.
Becker, Kathrin, and Barbara Straka, eda. Selbstidentifikation / Self-Identification. Positionen St. Petersburger Kunst von 1970 bis heute / Positions in St. Petersburg Art from 1970 until Today. 1994.
Beliutin, Eli. Altre galassie. Milan: Spirali, 1992.
–. Il nostro paradiso. Milan: Spirali. 1992.
Beliutin, Eli, and N. Moleva, eda. Novaia Realnost'. Ot Manezha do Manezha. Khodozhniki Studyi E. Belutina. Moscow: Sovetskii khudozhnik, 1990.
Berger, John. Art and Revolution. Ernst Neisvestny and the Role of the Artist in the USSR. Harmondsworth. England: Penguin. 1969.
Bird, Alan. A History of Russian Painting. Oxford: Phaidon, 1987.
Bojko, Szymon, et al. Russian Samisdat Art. New York: Willis Locker and Owens, 1986.
Boris Zaborov. Un certain usage de la photographie. Paris: Centre National de la Photographie, 1989.
Bowlt, John E., ed. Russian Art of the Avant-Garde: Theory and Criticism, 1902-1934, New York: Thames and Hudson, reprint 1988.
– . Russian Art. 1875-1975: A Collection of Essays.
New York: MSS Information Corporation, 1976.
Bown, Matthew Cnllerne. Art under Stalin. Oxford: Phaidon. 1991.
–. Contemporary Russian Art. London: Phaidon. Press. 1989.
Brumfield, William C, and Milos M. Vclimirovic, eds. Christianity and the Arts in Russia. Cambridge. England: Cambridge University Press. 1991.
Burris, Jon, ed. New Russian Art: Paintings from the Christian Keesee Collection. Pasadena: Curatorial Assistance, Inc.. 1994.
Calneck, Anthony, ed. The Great Utopia. New York: Solomon R. Guggenheim Museum, 1992.
Chemiakin. Volumes, 1 & 2. New York: Mosaic Press. 1986.
Condee, Nancy, ed. Soviet Hieroglyphics: Visual Culture in Late Twentieth-Century Russia. Bloomington: Indiana University Press, 1995.
Cushman, Thomas. Notes from Underground: Rock Music Counterculture in Russia. Albany: State University of New York Press. 1995.
Dekhtiar, Anna. Molodye zhivopistsy 70-kh godov. Moscow: Sovetskii Khudozhnik, 1979.
Dodge, Norton T., ed. New Art from the Soviet Union: Selected Works on Paper. Mechanicsville. MD: Cremona Foundation, 1976.
–, ed. New Art from the Soviet Union: An Exhibition of Soviet Non-Conformist Art from the 1960’s and the 1970’s. Mechanicsville, MD: Cremona Foundation, 1979.
–, ed. Vagrich Bakhchanyan: Top Secret—Art Catalogue #25 Tank. New York: Contemporary Russian Art Center of America. 1981.
–. ed. Vagrich Bakhchanyan: Mr. Mental. Mechanicsville, MD: Cremona Foundation, 1981.
–. ed. Vagrich Bakhchanyan: Diary 1/1/80-12/31/80. Mechanicsville. MD: Cremona Foundation, 1981.
–, ed. Apt Art: Moscow Vanguard in the 80s. Intro by Victor and Margarita Tupitsyn. Mechanicsville. MD: Cremona Foundation, 1985.
–, ed. Leonid Lamm: Recollections from the Twilight Zone. 1973-1985. Mechanicsville, MD: Cremona Foundation, 1985.
–. ed. Eduard Gorokhovsky. Jersey City, NJ: C.A.S.E. Museum of Contemporary Russian Art. 1989.
–. ed. Dmitri Krasnopevtsev: A Retrospective Exhibition. Jersey City, NJ: C.A.S.E. Museum of Contemporary Russian Art, 1990.
–, ed. Boris Sveshnikov: A Retrospective Exhibition. Jersey City, NJ: C.A.S.E. Museum of Contemporary Russian Art, 1991.
–, ed. Alexander Kharitonov. Jersey City. NJ: C.A.S.E. Museum of Contemporary Russian Art. 1991.
– , ed. and introduction. Leningrad — St. Petersburg Non-Conformist Art. Mechanicsville. MD: Cremona Foundation. 1992.
Dodge, Norton T., and Alison Hilton. New Art from the Soviet Union: The Known and the Unknown. Washington, DC: Acropolis Books. 1977.
Douglas, Charlotte and Margarita Tupitsyn.
Gennady Zubkcov and Leningrad “Sterligov” Group: Evidence of Things Not Seen. New York: Contemporary Russian Art Center of America. 1983.
Dyogot, Ekaterina. Contemporary Painting in Russia. Australia: Craftsman House, 1995.
Eduard Shteinberg. Opyt monografii. Moscow: Art MIF Publishers and Editions d’en Haut la Chaux-de-fonds/Suisse, 1992.
Egeland, Erik. Ernst Neizvestny: Life and Work. Oakville, Ontario: Mosaic Press, 1984.
Eli Beliutin. Moscow: Assotsiatsiia «Mir kultury,» 1990.
Eric Bulalov. Paris: Centre Georges Pompidou. 1988.
Eric Bulatov Moscow. London: Parkett Publishers, 1989.
Erofeev, Andrei. Non-Official Art: Soviet Artists of the 1960s. Roseville East: Craftsman House, 1995.
Erofeev, Andrei, and Jean-Hubert Martin, eds. Kunst im Verborgenen: Nonkonformisten Russland 1957-1995. Munich: Prestel. 1995.
Eugene Rukhin: A Contemporary Russian Artist. Raleigh: North Carolina Museum of Art, 1975.
Evgenii Rukhin. Los Angeles: Gallery 1912. 1989.
German, Mikhail. Oskar Rabin. Biblioteka novogo russkogo iskusstva. Moscow: Tret’ia volna. 1992.
Glezer, Alexander. Kunst gegen Bulldozer: Memoiren einet russischen Sammlers. Frankfurt/M: Ullstein Kontinent. 1982.
–. Russkie khudozhinki na zapade. Paris: Tretiia Volna, 1986.
–. Sovremennoe Russkoe iskusstvo / L'art russe contemporain / Contemporary Russian Art. Paris. New York, and Moscow: Third Wave Publishers. 1993.
Golomshtok, Igor. Totalitarian Art. New York; Icon Editions. 1990.
Golomshtok, Igor, and Alexander Glezer. Unofficial Art from the Soviet Union. London: Martin. Secker and Warburg. 1977.
Grabar’, I. E., ed lnoriia russkogo iskusstva. Moskva: Izad. «Nauka,» 1968.
Gray, Camilla. The Russian Experiment in Art: 1863-1922. Revised by Marian Burleigh-Motley. London: Thames and Hudson. 1986.
Grishin, S. Vadim Sidur: A Study in Modern Soviet Sculpture. Adelaide, 1972.
Groys, Boris, ed. Fluchtpunkt Moskau. Werke der Sammlung Ludwig und Arbeiten für Aachen. Ostfildern: Cantz Verlag. 1994.
–. The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond. Trans. Charles Rougle. Princeton, NJ: Princeton University Press. 1992.
–. Zeitgenössische Kunst aus Moskau: von der Neo-Avantgarde zum Post-Stalinismus. Munich: Klinkhardt & Biermann, 1991.
Hamilton, George Heard. The Art and Architecture of Russia. New Haven, CT: Yale University Press, 1975.
Harten, J. Sowjetische Kunst um 1990. Cologne: DuMont. 1991.
Henry Art Gallery, University of Washington. Art into Life: Russian Constructivism, 1914-1932. New York: Rizzoli, 1990.
Holo, Selma, ed. Keepers of the Flame: Unofficial Artists in Leningrad. Lot Angeles: University of Southern California. Fisher Gallery. 1990.
Ielshevskaia, G.V. Novyi al’bom grafiki. Moscow: Sovetskii khudozhnik, 1991.
Igor and Svetlana Kopystiansky. Berlin: Berliner Kunstlerprogramm des DAAD, 1991.
Ilya Kabakov. Bern: Kunsthalle. 1985.
Kabakov, Ilya. Dos Leben der Fliegen/Ltfe of Flies/Zhizn’ mukh. Ostfildern: Canz, 1992.
–, Limited Edition Installation Catalogues. The Fly with the Wings, Mental Institution, or Institute of Creative Research, The Red Wagon, We Are Leaving Here Forever. New York: Abrams, 1991.
–. Noma ili Moskovskii kontseptual’nyi krug. Inslalliatsiia/Noma oder Der Kreis der Moskauer Konzeptualisten. Installation. Ostfildern: Cants Verlag, 1993.
–. Okno/ Das Fenster / The Window. Bern: Benteli Verlag, 1985.
–. Ten Characters. London: ICA, 1989.
–. Viisi Albumia / Fern Albumer / Five Albums /Piat’ Al’bomov. Helsinki: Artprint. 1994.
Kabakov, Ilya, and Yuri Kuper. 52 dialoga na kommunal’noi kukhne / 52 entretiens dans la cuisine communautaire. Marseille: Art Transit, Ateliers Municipaux d’Artistes, 1992.
Kabakov, Ilya, and Boris Groys. Die Kunst des Fliehens. Vienna: Carl Hanser Verlag, 1991.
Kamensky, A. Romanticheskii montazh. Moscow: Sovetakii khudozhnik. 1989.
King, David. The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia. New York: Metropolitan Books. Henry Holt and Company. 1997.
Kölle, Brigitte. Boris Michajlov / Boris Mikhaylov. Stuttgart: Oktagon, 1995.
Komar, Vitaly, and Alexander Melamid. Gedichte uber den Tod: Das Gespenst des Eklektizismus. Stikhi o Smeri: Prizrak eklektitsizma Berlin: NGBK Nishen, 1988.
Koptystianskaia Svetlana. The library Kunsthalle Dusseldorf, 1994.
Kopystiansky, Igor. The Museum. Kunsthalle Dusseldorf, 1994.
Kornetchuk Elena. Alexander Sitnikov: A Contemporary Moscow Artist. Pittsburgh: International Images, Ltd.,
Kornetchuk, Elena, et al. Francisco Infante: A Contemporary Moscow Artist. Sewickly, PA: International Images, Ltd.. 1989.
Kovalev, Andre. Between the Utopias: New Russian Art during and after Perestroika (1985-1993). Roseville East: Craftsman House. 1995.
Kunz, M., ed. Von der Revolution zur Perestroika. Sowjetische Kunst aus der Sammlung Ludwig. Kunstmuseum Luzern. 1989. Stuttgart: Verlag; Hatje. 1989.
Lahusen, Thomas, and Gene Kuperman, eds. Late Soviet Culture: From Perestroika to Novostroika. Durham and London: Duke University Press, 1993.
Lamm, Leonid. Saots-Geo Manifesto-Manifestation of the Procrustean Bed. New York: Eduard Nakhamkin Fine Arts. 1990.
The Leningrad Show: The Fellowship for Experimental Art. Point Reyes Station, CA: Gallery Route One, 1988.
Leonid Tishkov. Creatures. Durham, NC: Duke University Museum of Art, 1993.
Lew Nussberg und die Gruppe Bewegung Moskau. 1962-1977. Bochum: Museum Bochum. 1978.
Lodder, Christina. Russian Constructivism. New Haven: Yale University Press. 1983.
Lydia Masterkova: Adieu a la Russie. Paris: Galerie Dina Vierny, 1977.
McPhee, John. The Ransom of Russian Art. New York: Farrar Straus Giroux, 1994.
Mikhail Chemiakin. New York-Moscow. Retrospective Exhibition, 1972-1989. Torino: Stamperia Artistica Nazionale. 1989.
Mikhail Chemiakin. Works. 1965/80. San Jose. CA: Museum of Art, 1980.
Mikhail Chernyshov, Moskva 1961-1967. New York: Bella Volfman, 1988.
Modern Art Museum of Fort Worth. USSR Ministry of Culture, and Inter Cultura. 10 + 10: Contemporary Soviet and American Painters. New York: Harry N, Abrams. 1989-1990.
Moleva, N. Manezh god 1962. Moscow: Sovetskii pisatel', 1989.
Morozov, A. I. Pokoleniia molodykh: Zhivopis' sovetskikh Khudozhnikov 1960-kh-1980-kh godov. Moscow: Sovetskii khudozhnik. 1989.
Murina, Y. B. Dmitri Krasnopevtsev. Moscow: Sovetskii khudozhnik. 1992.
Neizvestny, Ernst. Govorit neizvestnyi. Frankfurt/M: Possev-Verlag. 1984.
–. Kentavr: ob iskusstve, literature i filosofii. Moscow:
Progress-Litera. 1992.
–. Space, Time, and Synthesis in Art. Essays on Art. Literature and Philosophy. Ed. Albert Leong. Oakville: Mosaic Press. 1990.
–. Sud’ba/Un destin d'artiste/Artist’s Fate. Moscow: Tret’ia volna. 1992.
Nussberg. 1961-1979. Wiesbaden: Galerie Karin Fesel, 1979.
Oleg Tselkov. Milano: Fabbri Editori, 1988.
Oleg Vassilyev and Eric Bulatov. New York: Phyllis Kind Gallery, 1991.
Peschler, Eric A. Ateliers de Moscow: Dessins contemporains. Paris: Navarra-Galerie de France, 1989.
–. Kunstler in Moskau: Die Neue Avantgarde.
Schaffhausen: Edition Slemmle Verlag Photographic AG, 1988.
Photoglyphs. Rimma Gerlovina. Valeriy Gerlovin. New Orleans: New Orleans Museum of Art, 1995.
Pohribny, Arsen, Peter Spielman, and Helmut Lumbro, eds., Progressive Stromungen in Moskow, 1957-1976. Bochum: Heinrich-Druckerei GmbH, 1974.
Popov, Valentin. Romantic Cynicism. Kiev, Ukraine: ARC-Ukraine, 1996.
Rabin, Oscar. L'Artiste et les bulldozers etre peintre en U.R.S.S. Paris: Editions Robert Laffont. 1981.
Rappoport, S. Kh. Ot khudozhnika k zriteliu. Problemy khudozhestvennogo tvorchestva. Moscow: Sovetskii khudozhnik, 1978.
Ratcliff, Carter. Komar & Melamid. New York: Abbeville Press, 1989.
–. Vadim Sidur: skultpturen. Bochum: Museum
Bochum. 1984.
Reuschemeyer, Marilyn, Igor Golomshtok, and Janet Kennedy. Soviet Emigre Artists: Life and Works in the USSR and the United States. Armonk, NY: M. E. Sharpe. 1985.
Reuter, Jule. Gegen Kunst in Leningrad. Munich: Klinkhardt and Biermann, 1990.
Riff, Gisela, and Karl Eimermacher. Vadim Sidur: Kunst im Zeitalter des Schreckens. Bremen: Gerhard Marcks-Stiftung, 1992.
Roberts, Norma, ed., The Quest for Self-Expression: Painting in Moscow and Leningrad. 1965-1990. Columbus, OH: Columbus Museum of Art, 1990.
Rosenfeld. Alla, and Norton T. Dodge, edi., Nonconformist Art: The Soviet Experience, 1956-1986. New York: Thames and Hudson, 1995.
Rosenfeld, Alla, and Jeffrey Wechsler. Struggle for the Spirit: Religious Expression in Soviet Nonconformist Art. New Brunswick. NJ: Jane Voorhees Zimmerli Art Museum, 1993.
Ross, David, ed. Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism. Boston; Institute of Contemporary Art, 1990.
Roswadowska-Janowska, Nina, and Pietr Nowicki, eds. No! and the Conformists. Faces of Soviet Art of 50s to 80s. Warszawa: Fundacja Polakiej Sztuki Nowoczesnej. 1994.
Rukhin. Jersey City, NJ: Museum of Contemporary Russian Art in Exile. 1989.
Sarabianov, Dmitri Vladimirovich. Russian Art: From Neoclassicism to the Avant-Garde, 1800-1917. New York: Harry N. Abrams, 1990.
Shteinberg, Eduard. An Attempt at a Monograph. Moscow: Art MIF, 1992.
Sjelochka, Paul, and Igor Mead. Unofficial Art in the Soviet Union. Berkeley and Los Angeles: University of California Press, 1967.
Solomon, Andrew. Irony Tower: Soviet Artists in a Time of Glasnost. New York: Alfred A. Knopf, 1991.
State Russian Museum, St. Petersburg. Oscar Rabin. Valentino Kropivnitskaia. Munich: Allograph, 1993.
Stites, Richard, ed. Culture and Entertainment in Wartime Russia. Bloomington: Indians University Press, 1995.
Sulyagin, Vladimir. Paper Spirits: Collage Portraits. London: Chatto and Windus, 1992.
Talbot Rice, Tamara. A Concise History of Russian Art. New York: Praeger Publishers, 1974.
Talochkin, I., and I. Alpatova, eds. Drugoe iskusstvo. Moskva 1956-1976. K khronike khudozhestvennoi zhizny. Katolog vystavki. Volumes 1 & 2. Moscow: Interbuk, 1990.
Tamruchi, Natalia. An Experience of Madness:
Alternative Russian Art in the 1960s—1990s. Roseville East: Craftsman House, 1995.
–. Moscow Conceptualism, 1970-1990. Roseville East:
Craftsman House, 1995.
Tertz, Abram. On Socialist Realism. Trans. George Dennis. New York: Vintage Books, 1960.
Transit: Russian Artists between the East and West. Hempstead, NY: Fine Arts Museum of Long Island, 1989.
Tupitsyn, Margarita. The Green Show. New York: Exit Art. 1990.
–. Margins of Soviet Art: Socialist Realism to the Present. Milan: Giancarlo Politi Editore, 1989.
–. Russian New Wave. Mechanicsville, MD: Cremona Foundation, 1981.
–. The Soviet Photograph, 1924-1937. New Haven:
Yale University Press, 1996.
Tupitsyn, Margarita, and Margaret Bridge Betz. Lydia Masterkova: Striving Upward to the Real. New York: Contemporary Russian Art Center of America, 1983.
Tupitsyn, Margarita, M. Tucker, and J. E. Bowlt, eds. Sots-Art. New York: New Museum of Contemporary Art, 1986.
Tupitsyn, Victor. «Drugoe» iskusstva. Besedy s khudozh-nikami. kritikami, filosofami, 1980-1995 gg. Moscow: Ad Marginem, 1977
–. Eric Bulatov. New York: Phyllis Kind Gallery, 1994.
Turine, Roger-Pierre. Soviet Art from Lenin to Gorbachev: Catalogue and Facts. Brussels: Vie Ouviere, 1988.
Vladimir Jankilevskij, 1958-1988. Bochum: Museum Bochum, 1988.
Von Tavel, Hans Christoph, and Markus Landert. Ich Lebe-Ich Sehe: Kunslter der Achtziger Jahre in Moskau. Bern, Switzerland: Kunstmuseum Bern, 1988.
Wallach, Amei. Ilya Kabakov: The Man Who Never Threw Anything Away. New York: Harry N. Abrams. 1996.
Weiss, Evelyn, ed. Sowjetkunst Heute. Cologne: Museum Ludwig, 1988.
Werth, Alexander. Russia under Khrushchev, New York: Hill and Wang, 1962.
Williams, Robert. Russian Art and American Money. Cambridge: Harvard University Press, 1980.
Wollen, Peter. Komar and Melamid. Edinburgh: Fruitmarket Gallery, 1985.
Yastrebova, N. Sovetskoe iskusstvo 60-80 gg. Moscow: Nauka,1988.
Yurasovsky, Alex, and Sophie Ovenden, eds. Post-Soviet Art and Architecture. New York: Academy Editions. 1994.
Yuri Kuper. Toulon: Musee de Toulon, 1993.
Zwanzig Jahre unabhangige Kunst aus der Sowjetunion. Bochum: Museum Bochum, 1979.